{"id":5681,"date":"2011-11-24T20:39:03","date_gmt":"2011-11-25T03:39:03","guid":{"rendered":"http:\/\/josemarquez.com\/xsml\/?p=5681"},"modified":"2011-11-24T20:39:03","modified_gmt":"2011-11-25T03:39:03","slug":"the-problem-with-footloose-2011","status":"publish","type":"post","link":"https:\/\/www.josemarquez.com\/etc\/2011\/11\/24\/the-problem-with-footloose-2011\/","title":{"rendered":"My problem with Footloose (2011): not enough Mexicans"},"content":{"rendered":"<p>Footloose (1984) had tension because it was of the moment. <\/p>\n<p>The Moral Majority was just <a href=\"http:\/\/books.google.com\/ngrams\/graph?content=moral+majority&#038;year_start=1960&#038;year_end=2010&#038;corpus=0&#038;smoothing=3\">entering its apex<\/a> and small town America was a pop cultural phenomenon (months after Footloose was released, Farm Aid hit the air and <a href=\"http:\/\/en.wikipedia.org\/wiki\/Small_Town\">Small Town<\/a> reached #6). There was also, generally, lots of <a href=\"http:\/\/www.imdb.com\/title\/tt0085549\/\">dancing<\/a> <a href=\"http:\/\/www.imdb.com\/title\/tt0080716\/\">in<\/a> <a href=\"http:\/\/en.wikipedia.org\/wiki\/B-boying\">the<\/a> <a href=\"http:\/\/en.wikipedia.org\/wiki\/Dancing_in_the_Street#Bowie.2FJagger_version_2\">streets<\/a>. <\/p>\n<p>Fast forward to 2011 and covens of sexy but celibate vampires play a bigger role in the popular imagining of white adolescence than uptight congregations. So while Footloose (2011) had no problems <a href=\"http:\/\/boxofficemojo.com\/movies\/?id=footloose2010.htm\">putting butts in seats<\/a>, I don&#8217;t think anyone \u2013\u00a0not even its makers \u2013\u00a0believes it put its fingers on the pulse of young Americans.<\/p>\n<p>And, yet, if the 2011 retelling had been set in a city like a Salinas, CA (pop. 150,000, <a href=\"http:\/\/quickfacts.census.gov\/qfd\/states\/06\/0664224.html\">75% Latino<\/a>, 40% under 18) it could have represented a community at the crossroads: teeming with young kids rebelling against their hick parents, caught up in a mess of gangs, a shitty economy, starved government, fire and brimstone preachers,  and <a href=\"http:\/\/www.youtube.com\/watch?v=tdToO1VyI_4\">a dance trend<\/a> that combines (Mexican) country with techno.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Footloose (1984) had tension because it was of the moment. The Moral Majority was just entering its apex and small town America was a pop cultural phenomenon (months after Footloose was released, Farm Aid hit the air and Small Town reached #6). There was also, generally, lots of dancing in the streets. Fast forward to&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[10,18],"tags":[],"_links":{"self":[{"href":"https:\/\/www.josemarquez.com\/etc\/wp-json\/wp\/v2\/posts\/5681"}],"collection":[{"href":"https:\/\/www.josemarquez.com\/etc\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.josemarquez.com\/etc\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.josemarquez.com\/etc\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.josemarquez.com\/etc\/wp-json\/wp\/v2\/comments?post=5681"}],"version-history":[{"count":0,"href":"https:\/\/www.josemarquez.com\/etc\/wp-json\/wp\/v2\/posts\/5681\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.josemarquez.com\/etc\/wp-json\/wp\/v2\/media?parent=5681"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.josemarquez.com\/etc\/wp-json\/wp\/v2\/categories?post=5681"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.josemarquez.com\/etc\/wp-json\/wp\/v2\/tags?post=5681"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}